Chiesa di Santa Maria Assunta (Corciano)

Santa Maria Assunta in Corciano preserves two important works of Umbrian Renaissance painting: Perugino's Assumption of 1513 and Benedetto Bonfigli's processional banner of 1472. The paintings connect parish devotion with the identity of the walled town.

Why it matters

The altarpiece presents the subject of the church's dedication, while the banner records a community's appeal for protection from plague. Together they preserve different forms of religious patronage.

What to notice

Perugino arranges the Assumption in distinct heavenly and earthly registers. Bonfigli's banner includes a detailed view of Corciano, with walls, towers and houses beneath the sacred figures. The townscape adds a historical dimension to the devotional image. The church's single-nave interior reflects later rebuilding as well as its medieval origins.

Context and history

The parish church dates to the thirteenth century and was renewed in the nineteenth. Bonfigli's banner originated in 1472 as a plague-related offering; Perugino's altarpiece followed in 1513. These commissions place the church within the broader artistic culture of Perugia and its surrounding territory.