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Tempio di Santa Maria della Consolazione

Todi

The Temple of Santa Maria della Consolazione stands below Todi's historic walls. Its Greek-cross plan, four apses and central dome make it one of Umbria's most significant Renaissance buildings.

Why it matters

Construction began in 1508 around a venerated image of the Virgin. The design is traditionally attributed to Bramante, although the attribution remains debated. The long building campaign brought together several major architects of the sixteenth century.

What to notice

The temple's central plan is formed by four apses around a Greek cross. The dome rises above the crossing, while large drum windows designed by Valentino Martelli in 1587 illuminate the interior. Four sculpted eagles by Antonio Rosignoli sit along the cornice, and the high altar was designed by Andrea Polinori and sculpted by Angelo Pieri in 1612.

Context and history

Work began on 15 November 1508 and the temple was completed in 1607. Cola di Matteuccio da Caprarola directed the first phase; Baldassarre Peruzzi, Antonio da Sangallo the Younger, Galeazzo Alessi, Vignola and Ippolito Scalza were also associated with the design's later development. A sacristy added in 1613 was demolished in 1862.