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Other · Calascio

Borgo medievale di Rocca Calascio

Calascio

Below the fortress of Rocca Calascio lies the stone settlement known as the medieval borgo. Its roofless houses and small churches preserve the form of a high-altitude village beneath the castle.

Why it matters

The settlement developed below the fortress, along the historic connection between Rocca Calascio and Santo Stefano di Sessanio. Its houses followed the slope and clustered around lanes and defensive features. The abandoned fabric offers evidence of how a community lived in the shadow of the castle, distinct from the garrison above.

What to notice

Local pale stone defines the surviving walls, doorways and small arched openings. The missing roofs expose the layout of the houses and make the village's close-grained form visible. Small votive churches are integrated into the settlement rather than isolated from it. At the upper edge, the passage between borgo and fortress recalls their historic relationship; the former wooden drawbridge has been replaced by a fixed wooden structure.

Some buildings have been restored and adapted for contemporary uses, creating a contrast with the surrounding ruins. The village's setting beneath the Gran Sasso massif is part of its distinctive landscape.

Context and history

The village grew alongside the castle during the period when pastoralism and the wool economy shaped the L'Aquila region. Earthquakes and depopulation contributed to its decline. Local and regional histories describe abandonment in stages: damage in the fourteenth and fifteenth centuries affected the upper quarter, while the 1703 earthquake damaged the castle and settlement. Some houses were rebuilt, but many residents moved to Calascio. A further earthquake in 1793 is recorded in regional accounts as a later blow to the settlement.

The comune's history records a population of about 800 in 1600 and the departure of the last residents in 1957. Restoration and adaptive reuse began in the late twentieth century. The 1985 filming of Ladyhawke, preceded by Amici miei – Atto IIº, brought renewed attention to the village, and later restoration consolidated parts of its historic fabric.